News & Events
Previous OU Conferences
November 2014Mudd, Tom; Holland, Simon; Mulholland, Paul and Dalton, Nicholas (2014). Nonlinear Dynamical Systems as Enablers of Exploratory Engagement with Musical Instruments. In: INTER-FACE: International Conference on Live Interfaces 2014, 19th - 23rd November 2014, Lisbon, Portugal.
October 2014Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Methodological approaches to the evaluation of game music systems. In: AM '14 Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, ACM, article no. 26. Aalborg, Denmark — October 01 - 03, 2014
Live performance of Oliver Hodl's Trombosonic - Wissenschaftsseminar Universität für Musik und Darstellende Kunst Wien, Vienna, October 2014.
September 2014Franceschini, Andrea; Laney, Robin and Dobbyn, Chris (2014). Learning musical contour on a tabletop. In: Joint ICMC/SMC 2014 Conference, 14 - 20 September 2014, Athens, Greece.
Hodl, Oliver; Fitzpatrick, Geraldine and Holland, Simon (2014). Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation. In: Proceedings of ICMC/SMC Joint Conference: 40th International Computer Music Conference and 11th Sound and Music Computing (ICMC/SMC 2014). (Georgaki, A. and Kouroupetroglou, G. eds.), Michigan Publishing pp. 169–176.
July 2014Two students from The Music Computing Lab presented publications at NIME 2014, held 30 June - 4 July 2014. Goldsmiths, University of London: Tom Mudd presented Dynamical Interactions with Electronic Instruments"; while Anna Xambó presented " SoundXY4: supporting tabletop collaboration and awareness with ambisonics spatialisation".
Matt Bellingham's paper "A cognitive dimensions analysis of interaction design for algorithmic composition software" is cited by the paper "Temporal Semantics for a Live Coding Language" less than two weeks after Matt's paper is published.
Fanny Grasselly begins running an experiment on passive haptic learning of drum rhythms.
Nanda Khaorapapong, Doon MacDonald and Tony Stockman from Queen Mary University, London give separate talks covering assistive technology, haptics and auditory display.
Buys, K.; Sharp, D. and Laney, R. (2014). Developing a hybrid wind instrument: using a loudspeaker to couple a theoretical exciter to a real resonator. In: Proceedings of the International Symposium on Musical Acoustics pp. 331–336. Université du Maine - Le Mans, France - 7-12 July 2014.
June 2014Andrea Franceschini, Tom Mudd, Tony Steffert and Anthony Prechtl present research talks at the Centre for Research in Computing 2014 PhD conference.
Professor John Rink, Professor of Musical Performance Studies at the University of Cambridge, gave a departmental talk at the Open University on "Creating the Musical Work: From Archive to ‘Dynamic Edition’".
Rose Johnson successfully defended her thesis entitled: In Touch with the Wild: Exploring Real-time Feedback for Learning to Play the Violin. Her examiners were Prof Stephen Brewster (Glasgow Univ) and Anthony Steed (UCL).
Tom Mudd presented his paper on Dynamical Systems in Interaction Design for Improvisation at the Workshop on Human Computer Improvisation 2014 as part of the ACM conference on Designing Interactive Systems in Vancouver, Canada.
Simon Holland served as rapporteur for the successful oral defence of Jeremie Garcia, a PhD candidate jointly supervised by three research institutions: Université Paris-Sud, INRIA (Laboratoire de Recherche en Informatique Saclay) and IRCAM (Institut de Recherche et Coordination Acoustique Musique).
Matt Bellingham presented "A cognitive dimensions analysis of interaction design for algorithmic composition software" at the 25th Anniversary Psychology of Programming PPIG 2014 Conference in Brighton 25-27June.
Simon Holland, Fanny Grasselly and Kevin Deleaye give a talk and demonstration at Manchester Metropolitan University on "The Haptic Bracelets: Multi-limb Haptic Interaction from Music to Medicine".
May 2014Fanny Grasselly studying at the Ecole Centrale de Nantes on the prestigious “Ingénieur de l'École Centrale de Nantes” programme, begins a 4-month internship working as part of the Music Computing Lab, with a special interest in applications to neuro-rehabilitation.
Simon Holland presents A Gait Rehabilitation pilot study using tactile cueing following Hemiparetic Stroke at REHAB 2014, in May 20th Oldeburg, Germany.
Katie Wilkie successfully defends her thesis, 'Conceptual metaphor, human-computer interaction and music: applying conceptual metaphor to the design and analysis of music interactions', to examiners Prof. David Benyon (Napier University) and Dr Janet vanderLinden.
Simon Holland, Fanny Grasselly and Kevin Deleaye give a talk and demonstration at the Orthopaedics Department, Milton Keynes Hospital on applications of the Haptic Bracelets to neuro-rehabilitation.
April 2014Kevin Deleaye, studying at the Ecole Centrale de Nantes on the prestigious “Ingénieur de l'École Centrale de Nantes” programme, begins a 6 month internship working as part of the Music Computing Lab.
Dr Rebecca Fiebrink, Lecturer in Graphics and Interaction at Goldsmiths, University of London gives a talk on Interactive Machine Learning for End-User Systems Building in Music Composition & Performance, together with a demonstration of her own Wekinator system.
Anthony Prechtl presents "Algorithmic music as intelligent game music" at AISB50: The 50th Annual Convention of the AISB at Goldsmiths, University of London.
Feb 2014.21st February 2014. Invited lecture given by Simon Holland as part of ESRC Seminar Series: Inclusive environments: shaping transitions from theory to practice. Seminar 3: Translational practices and the operationally of universal design. Talk entitled "Applying principles of embodiment to the co-design of music technologies to support gait rehabilitation after a stroke."
19 Feb 2014. Talk at York University given by Simon Holland on :The Haptic Bracelets: multi-limb interaction from music to medicine.
Jan 2014Prof Prof Harold Thimbleby gives a talk on human computer interaction issues in medical contexts (tith considerable relevance to recent medical applications of technologies designed and built by the Music Computing Lab).
December 2013Adam Linson successfully defended his thesis, 'Investigating the cognitive foundations of collaborative musical free improvisation: experimental case studies using a novel application of the subsumption architecture', to examiners Prof. Geraint Wiggins (Queen Mary University of London) and Dr. Neil Smith.
November 2013Vass Angelis has successfully defended his thesis, entitled: "Validation and Analysis of a gradient frequency oscillatory neural network as a model of polyrhythm perception". His examiners were Prof. Eduardo Miranda (University of Plymouth) and Prof. Uwe Grimm.
October 2013Tom Mudd begins doctoral research in the Music Computing Lab looking at ways in which dynamical systems alter engagement with digital musical instruments.
September 2013Oliver Hodl, Thomas Crevoisier and Simon Holland attend the first day of the 14th RPPW Conference on Rhythm Perception and Production in Birmingham, and present a demonstration on Technology for group synchronisation and co-ordination.
August 2013Thomas Crevoisier creates an iPad interface for Song Walker Harmony Space.
July 2013Matt Bellingham starts his PhD research investigating User Interfaces for Algorithmic Software. Matt is a Lecturer in Music Technology at the University of Wolverhampton, a signed musician, an engineer and a producer.
Gordon Mackay is awarded his MPhil for his thesis "Improvising Tangible User Interfaces".
July 6–10 Tony Steffert presents "A review of real-time EEG Sonification Research" at the 19th International Conference on Auditory Display in Lodz, Poland.
Jun 201327 June Andy Milne successfully defended his thesis 'A computational model of the cognition of tonality'. His examiners were Prof Kevin McConway and Prof Elaine Chew (Queen Mary).
21 June 2013 Simon Holland gave a talk on 'Haptic Technology For rhythm and balance', and a participative demonstration of the Haptic Bracelets, as part of ESRC Seminar Series ‘Understanding technological inclusion in the context of diverse lives’.
2-3 June Several members of the Music Computing Lab give talks as part of Centre for Computing Research Annual Phd student Conference.
7 June Simon Holland gives Talk to Open University's Pioneer Alumni on "The Haptic Bracelets: end-user appropriation of Music Technology".
Simon Holland is appointed external PhD supervisor for Oliver Hodl, with lead supervisor Prof Geraldine Fitzpatrick, Vienna University of Technology.
May 201317 May. Filming for Haptic Bracelet Video Takes place.
17 May. Luke Webb, musician and music teacher from visits the music Computing Lab with four talented pupils from Radcliffe School to try for themselves new music technologies such as the Song Walker version of Harmony Space.
April 2013Anthony Prechtl presents paper on 'Algorithmic music as intelligent game music' at 50th Annual Convention of AISB In London, 1st-4th April.
March 2013The book "Music and Human Computer Interaction", edited by members of the Music Computing Lab, and the first book in Springer's new Cultural Computing Series, has now been published. Ask your library to get a copy.
Oliver Hoedl joins the Music Computing Lab from the Human Computer Interaction Group in the Institute for Design and Assessment of Technology at Vienna University of Technology, and promptly carries out outstanding work on the Haptic Bracelets firmware.
Oliver presents his Sonic Trombone at Georgia Tech’s Guthman Musical Instrument Competition.
On Thursday 21st March, Simon Holland and Oliver Hoedl gave an invited presentation and four hour participative demonstration of the Haptic Bracelets to Professor Alan Wing and researchers and practitioners at the Sensory Motor Neuro-Science Research Lab at Birmingham University.
Vassilis Angelis was an invited participant at the International Workshop on Cross-Disciplinary Perspectives on Musical Rhythm held in Etihad Towers in Abu Dhabi 17th - 21st March 2013. Other participants included Ed Large, Robert Rowe, David Huron, Justin London, Godfreid Toussaint, Steve McAdams, Kofi Agawu, Xavier Serra, Carlos Guedes, Juan Pablo Bello and William Sethares.
Simon Rolph is editing a new video of the Stern Brocot Band.
On Tuesday 26th March in Birmingham, Simon Holland gave an invited presentation and participative demo of the Haptic Bracelets to some fifty members of ACPIN, the professional Association of Chartered Physiotherapists with Interests in Neurology, who have special interests in the neuro-rehabilitation of conditions such as Stroke, Parkinson's Disease, Ataxia, Head injury, etc. While the Haptic Bracelets were primarily designed for musical purposes, in written feedback from ACPIN participants, the general view was that the approach they embody has the potential to influence practice.
The Stern Brocot Band submitted their new heavy punk prog single "Rocket Socks", to the International Un-Twelve Composition Competition for Microtonal Music. Rocket Socks is written in the srutal temperament, which is subtly different to 12-TET. It is generated by slightly wide semitones (105 cents) and a period of 600 cents. The new single features Simon Rolph's reflective punk vocals and artist and photographer Anna Berry's serenely soaring soprano. Critic and artist Peter Holland, listening to a rudimentary early rehearsal of the piece published on YouTube, commented "Boys… You just recorded your first number one hit single"
On Wednesday 27th March in Hereford, Simon Holland gave an invited presentation and co-ran a participatory workshop with Professor Alan Wing for some seventeen physiotherapists from the Wye Valley NHS Trust. The workshop was part of a research day organised by Fiona Price, a Stroke Research Facilitator from the Stroke Research Network, for the NHS Trust. The participatory workshop examined the pros and cons of cueing the gait or arm movements of stroke, parkinson's, head injury, ataxic, and other patients using the Haptic Bracelets as compared with other approaches. All participants were able to try out the Haptic Bracelets. Written feedback from this group of NHS physiotherapists indicated the general view was that this approach has the potential to influence practice in neuro-rehabiliation.
NAD, (in real life Mustafa Ali) a member of the Music Computing Lab with a background and commercial track record in dance music, has gone back to the recording studio, and his first new track, “A Sense of Finitude”, has been recorded for a forthcoming Studio Rockers compilation album. In the meantime, “Pure Imagination (NAD Wonky Refix) can be found on YouTube with an accompanying video produced by Modal. NAD is beginning work begins on a 5-track EP and album planned for release in 2013.
February 2013The Stern Brocot Band has been joined by Simon Rolph as vocalist. The band is working on a new microtonal piece composed by Andy Milne that incorporates (amongst other things) shifting additive rhythms. A performance will be uploaded to YouTube shortly.
January 2013Robot assembly of the sub-miniature components of a batch of sixteen Haptic Bracelets is completed.
December 2012Katie Wilkie completes empirical work on the Magic Music Mat. This work explores a novel approach to collaborative music interaction design that draws Katie's research on Embodied Cognition and Music.
Vassilis Angelis completes a more rigorous and searching version of the classic Handel experiment on tapping to polyrhythms.
Phil Downs videos the use of Song Walker Harmony Space for selected compositional and performance tasks.
November 2012Tony Steffert demonstrates professional-grade EEG and other biofeedback equipment to the weekly post-graduate research meeting.
Anthony Prechtl joins the Stern Brocot Band on digital modelling guitar.
October 2012Two new full time PhD students join the Music Computing Lab, Anthony Prechtl and Tony Steffert.
Richard Seaton starts PhD in the Acoustics Research group on "Pitch drift in a cappella choral singing" supervised by Dennis Pim and David Sharp. Dennis Pim chairs the Open University's undergraduate course on the Technology of Music.
August 2012Carrie Lennard, a music teacher working with special needs children in London visits the Music Computing Lab on 20th August. Carrie followed up by discussing work by Steve Brewer using customised software with the Kinect to solve some of the problems and address some of the opportunities discussed.
Version 2.0 the wireless Haptic Bracelets is completed and debugged. The arduino-based model is superceded - the new design uses an in-house created printed circuit board and miniature surface mounted components. Maxime Canelli, who will be sorely missed, returns home to France after four highly productive months at the Music Computing Lab.
July 2012Rosa Fox, who recently graduated with a degree in Music Informatics from Sussex University Joined the team working on the Haptic Bracelets to help with OSC programming and UI design for an iPad controller.
Anders Bouwer re-visits the Music Computing Lab for a month (his third or fourth tour of duty) to assist with evaluation of the Haptic Drum Kit and early version prototype Haptic Bracelets.
Simon Holland, Maxime Canelli, Anders Bower and Rosa Fox visited the Sensory Motor Neuroscience Centre (SyMon) at the University of Birmingham on July 24th. Anders Bouwer and Simon Holland gave a talk on the Haptic Bracelets, and the whole team demonstrated an arduino-based wireless prototype of the Haptics Bracelets, as well as an older wired prototype.
June 2012The Stern Brocot band gave their first public performance of a new Tajikistan-inspired microtonal piece. Thanks to Phil Downs for filming the performance. This piece, composed by Andy Milne, was performed in the atrium of the Jenny Lee Building at the Open University on 12th June. This performance featured visiting researcher Maxime Canelli on 'Line 6' digital guitar. This piece features timbres shaped to the microtonal scale, using digital instrument design by Andy Milne and Anthony Prechtl, which draws on theory described here -Hex. The performance can be found youtube here -Stern Brocot at the OU.
May 2012Vasillis Angelis has had his paper "Testing a computational model of rhythm perception using polyrhythmic stimuli." accepted for publication by the Journal of New Music Research, subject to minor revisions.
Maxime Canelli, a 4th Year Engineering student from Ecole Centrale de Nantes has joined the Music Computing Lab for the summer to work on the Haptic Bracelets and Rhythm Bracelets Project. This will involve working with Arduinos, IOS, and human perception research.
April 2012Andrea Franceschini has begun a PhD in the Music Computing Lab on Music Education.
Anders Bouwer has agreed to return to the Music Computing Lab in July 2012 to work on evaluating the Haptic Bracelets.
March 2012Adam Linson presented a paper "Improvisation without representation: artificial intelligence and music."co-written with Chris Dobbyn and Robin Laney at the Workshop Music, Mind, and Invention: Creativity at the Intersection of Music and Computation, 30-31 March, 2012, Ewing, New Jersey, USA.Available from Oro.Vasillis Angelis transferred his PhD registration within the Open University from The Music Department to the Computing Department, which is part of the Centre for research in Computing. He remains a core member of the Music Computing Lab.
February 2012"A MIDI sequencer that widens access to the compositional possibilities of novel tunings" by Prechtl, Milne, Holland, Laney, Sharp, has been published byComputer Music Journal!November 2012
Simon Holland, Katie Wilkie Paul Mulholland and Allan Seago have signed a contract with Springer Verlag to edit a book on Music Interaction in Springer's new Computing and Culture Series. The book demonstrates how new developments in Music Interaction demand approaches beyond HCI concepts such as usability, interaction design, and user experience.
October 2011The Mobile HCI 2011Award for Most Influential Paper from Mobile HCI 2001 was awarded in Stockholm to Simon Holland and David Morse for their 2001 paper AudioGPS: Spatial Audio Navigation with a Minimal Attention Interface./i This paper has been cited 133 times.
A recent PhD thesis by Roland Adeny from the University of Queensland in the Creative Industries Faculty cites research from the Music Computing Lab some 38 times.
September 2011"A MIDI sequencer that widens access to the compositional possibilities of novel tunings" by Prechtl, Milne, Holland, Laney, Sharp, has just been accepted by iComputer Music Journal/i. It will appear in Vol. 16, No. 1 (Spring 2012).
August 2011Anna Xambó and Adam Linson presented papers atICMCin Huddersfield.
July 2011Anna Xambó, Katie Wilkie, and Rose Johnson presented papers at the workshop on Music Interaction at BCS HCI in Newcastle.
Katie Wilkie, Simon Holland, Rose Johnson, and Grégory Leplâtre organised and ran an InternationalWorkshop in Music Interactionat BCS HCI on 4th July in Newcastle. Seventeen papers were presented, four from the US, two from Australia, with authors of other papers coming from the Netherlands, Spain and the UK.
Craig Hughes, an OU Masters student, had a paper presented at the 8th International Sound and Music Computing Conference in Padua. The paper was co-authored with supervisors Michel Wermelinger and Simon Holland. The latter presented.
June 2011Andrew Milne presented a paper atMCM in Paris.
Andrew Milne had his paper "Modelling the similarity of pitch collections with expectation tensors" (co-authored with William Sethares, Robin Laney, David Sharp) published in Journal of Mathematics and Music 5/i(1).
The Music Computing Lab devised and hosted a technology workshop for older people on June 17th 2011, on behalf of the pan-European Opt-In project and with the collaboration of Age UK and the Verwey Jonker Institute Utrecht . Amongst other activities, Some twelve older people spent over an hour playing songs and improvising music using Song Walker Harmony Space.
May 2011Andrew Milne and Anna Xambó presented a poster atNIMEin Oslo, Norway.
Simon Holland was interviewed and quoted by New Scientist and the Daily Mail in articles on research about 'Hand Hacking' carried out by by the University of Tokyo/Sony Japan, whose work cited his own work on the Haptic Drum Kit.MusicJacket appears on Bang goes the Theory
The MusicJacket research team were invited to take part in the BBC's popular science production, Bang goes the Theory. The episode was shown on national TV on 2nd May, 2011.
April 2011Tom Collins had his paper "Modeling pattern importance in Chopin's mazurkas" (co-authored with Robin Laney, Alastair Wills, Paul Garthwaite) printed in Music Perception 28/i(4).
March 2011iModelling the similarity of pitch collections with expectation tensors/i, by Andrew Milne, William Sethares, Robin Laney, and David Sharp, is now "in press"—it has been formally accepted—and will appear in the next issue (5:1) ofJournal of Mathematics and Music.
February 2011Katie Wilkie, Rose Johnson, Grégory Leplâtre and Simon Holland have had their proposal accepted for aMusic Interaction Workshopat BCS HCI 2011.
Research by Katie Wilkie, Simon Holland and Paul Mulholland was published in the recent HCI special issue of Computer Music Journal. Their research wasfeatured on the rear coverand received a mention in the editor's podcast.
December 2010Anna Xambó presented a poster, and Adam Linson and Andrew Milne gave talks at theDMRN+5 workshop at Queen Mary University.
November 2010Andrew Milne, William Sethares, Robin Laney, and David Sharp, had a paper (Modelling the similarity of pitch collections with expectation tensors/i) accepted, subject to revisions, byJournal of Mathematics and Music.
Related Conferences and Workshops organised by the OU