THE MUSIC COMPUTING LABTHE MUSIC COMPUTING LAB
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PUBLICATIONS

Many of these papers available here http://oro.open.ac.uk

2014

  • Katie Wilkie, Simon Holland and Paul Mulholland (2014) Eliciting Domain Knowledge Using Conceptual Metaphors: A Case Study from Music Interaction. Sep 09 - Sep 12. BCS HCI 2014.
  • Tom Mudd, Nick Dalton Simon Holland and Paul Mulholland (2014) Dynamical Interactions with Electronic Instruments. 14th International Conference on New Interfaces for Musical Expression (NIME 2014) Goldsmiths London, June 30 – July 2014.
  • Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Algorithmic music as intelligent game music. In: AISB50: The 50th Annual Convention of the AISB, 1-4 April 2014, London, UK (Forthcoming).
  • Bellingham, M., Simon, S., Mulholland, P. (2014) A cognitive dimensions analysis of interaction design for algorithmic composition software. Psychology of Programming 25th Anniversary Conference, Jun 25 - Jun 27. (PPIG 2014).
  • Tom Mudd, Nick Dalton Simon Holland and Paul Mulholland (2014) Dynamical Systems in Interaction Design for Improvisation. Workshop on Human Computer Improvisation 2014, ACM conference on Designing Interactive Systems, Vancouver. To be published in ACM Proceedings. June 21st - 25th, Vancouver BC Canada.

2013

  • A. Valjamae, T. Steffert, S. Holland, X. Marimon, R. Benitez, S. Mealla, A. Oliveira, S. Jorda (2013) A review of real-time EEG Sonification Research, ICAD 2013, ICAD The 19th International Conference on Auditory Display July 6–10, 2013, Lodz, Poland.
  • Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. (2013). Music and Human-Computer Interaction. Cultural Computing. London: Springer Verlag, London. ISBN 978-1-4471-2989-9. (2013).
  • Väljamäe, A.; Steffert, T.; Holland, S.; Marimon, X.; Benitez, R.; Mealla, S.; Oliveira, A. and Jordà, S. (2013). A review of real-time EEG sonification research. In: International Conference on Auditory Display 2013 (ICAD 2013), 6-10 July 2013, Lodz, Poland, pp. 85–93.
  • Xambó, Anna; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2013). Video analysis for evaluating music interaction: musical tabletops. In: Holland, S.; Wilkie, K.; Mulholland, P. and Seago, A. eds. Music and Human-Computer Interaction. Springer Series on Cultural Computing. London, UK: Springer Verlag,
  • Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan (2013). Music interaction: understanding music and human-computer interaction. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, (2013).
  • Vassilis Angelis, Simon Holland, Martin Clayton and Paul J. Upton. (2013) Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research. Volume 42 Issue 1 March 2013.
  • Wilkie, Katie; Holland, Simon and Mulholland, Paul (2013). Towards a participatory approach for interaction design based on conceptual metaphor theory: a case study from music interaction. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, (2013).
  • Bouwer, Anders; Holland, Simon and Dalgleish, Mat (2013). The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, (2013).
  • Linson, Adam; Dobbyn, Chris and Laney, Robin (2013). A parsimonious cognitive architecture for human-computer interactive musical free improvisation. Advances in Intelligent Systems and Computing, 196 pp. 219–224.
  • Bouwer, Anders; Holland, Simon and Dalgleish, Mat (2013). Song walker harmony space: embodied interaction design for complex musical skills. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, (2013).

2012

  • Prechtl, A., Milne, A., Holland, S., Laney, R. and Sharp, D. (2012) A MIDI sequencer that widens access to the compositional possibilities of novel tunings Computer Music Journal Vol. 16, No. 1 (Spring 2012).
  • Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Improvisation without representation: artificial intelligence and music. In: Music, Mind, and Invention Workshop: Creativity at the Intersection of Music and Computation, 30-31 March, 2012, Ewing, New Jersey, USA. Available from Oro.
  • Xambó, Anna; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2012). Towards a taxonomy for video analysis on collaborative musical tabletops. In: BCS HCI 2012 Workshop on Video Analysis Techniques for HCI, 11 Sep 2012, Birmingham, UK.
  • Roma, Gerard; Xambó, Anna; Herrera, Perfecto and Laney, Robin (2012). Factors in human recognition of timbre lexicons generated by data clustering. In: 9th Sound and Music Computing Conference (SMC 2012), 11-14 July 2012, Copenhagen, Denmark.
  • Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Critical issues in evaluating freely improvising interactive music systems. In: International Conference on Computational Creativity (ICCC) 2012, 30 May -01 June 2012, Dublin, Ireland.
  • Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Interactive intelligence: behaviour-based AI, musical HCI and the Turing Test. In: Revisiting Turing and his Test: Comprehensiveness, Qualia, and the Real World, Symposium no. 7 at AISB/IACAP World Congress 2012: Alan Turing Year 2012, 2-6 July 2012, Birmingham, UK.

2011

  • Hughes, C., Wermelinger, M., & Holland, S. (2011). Sound Spheres: A design study of the articulacy of a non-contact finger tracking virtual musical instrument. In Proceedings of the 8th Sound and Music Computing Conference, Padova, Italy.
  • Linson, Adam (2011). Unnecessary constraints: a challenge to some assumptions of digital musical instrument design. In: International Computer Music Conference 2011, 31 July - 5 August 2011, University of Huddersfield, UK.
  • Milne, A.J., Carlé, M., Sethares, W.A., Noll, T., & Holland, S. (2011).Scratching the scale labyrinth. In C. Agon, E. Amiot, M. Andreatta, G. Assayag, J. Bresson, & J. Mandereau (Eds.), Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 2011(Lecture Notes in Computer Science, Vol. 6726, pp. 180–195). Berlin Heidelberg: Springer-Verlag.
  • Milne, A.J., Xambó, A., Laney, R., Sharp, D.B., Prechtl, A., & Holland, S. (2011).Hex Player—a virtual musical controller. In A.R. Jensenius, A. Tveit, R. Godøy, & D. Overholt (Eds.), Proceedings of the 2011 International Conference on New Interfaces for Musical Expression (NIME11)/i (pp. 244–247). Oslo, Norway.
  • Milne, A.J., Sethares, W.A., Laney, R., & Sharp, D.B. (2011).Modelling the similarity of pitch collections with expectation tensors. Journal of Mathematics and Music, 5 (1), 1–20.
  • Collins, T., Laney, R., Willis, A., & Garthwaite, P.H. (2011). "Modeling pattern importance in Chopin's mazurkas" In Music Perception, 28 (4), 387–414. Available from Oro
  • Holland, S., Wilkie, K., Bouwer, A., Dalgleish., M., & Mulholland, P. (2011) Whole Body Interaction in Abstract Domains. In D. England (Ed.), iWhole Body Interaction. Human–Computer Interaction Series, Springer Verlag, London. ISBN 978-0-85729-432-6. Pre-Print ?file src="WholeBodyInteractionInAbstractDomains.pdf"?
  • van der Linden, J., Johnson, R., Bird, J., Rogers, Y., & Schoonderwaldt, E. (2011). Buzzing to play: lessons learned from an in the wild study of real-time vibrotactile feedback. In iProceedings of the 29th International Conference on Human Factors in Computing Systems/i, Vancouver, BC, Canada.
  • van der Linden, J., Schoonderwaldt, E., Bird, J., & Johnson, R. (2011). MusicJacket — combining motion capture and vibrotactile feedback to teach violin bowing. iIEEE Transactions on Instrumentation and Measurement, 60/i(1), pp. 104–113.
  • Xambó, A., Laney, R., Dobbyn, C. (2011). TOUCHtr4ck: democratic collaborative music. In iProceedings of the Fifth International Conference on Tangible, Embedded, and Embodied Interaction 2011/i, Funchal, Portugal.

2010

  • Wilkie, K., Holland, S. and Mulholland, P. (2010). What Can the Language of Musicians Tell Us about Music Interaction Design? iComputer Music Journal, 34/i(4). ?file src="CMJ Wilkie Language Music Interaction Design_v2.pdf"?
  • Haro, M., Xambó, A., Fuhrmann, F., Bogdanov, D., Gómez, E., Herrera, P. (2010). a href="http://oro.open.ac.uk/23509/1/avatar_AM2010.pdf"The Musical Avatar—A visualization of musical preferences by means of audio content description/a. In iProceedings of Audio Mostly 2010/i, Pitea, Sweden.
  • Milne, A.J. (2010). a href="http://oro.open.ac.uk/21509/1/Tonal_Music_Theory.pdf"Tonal music theory: A psychoacoustic explanation?/a In S.M. Demorest, S.J. Morrison, & P.S. Campbell (Eds.), iProceedings of the 11th International Conference on Music Perception and Cognition/i (pp. 597–600). University of Washinton, Seattle, USA.
  • Milne, A.J., Sethares, W.A., Laney, R., & Sharp, D.B. (2010). a href="http://oro.open.ac.uk/21508/1/Metrics_for_Pitch_Collections.pdf"Metrics for pitch collections/a. In S.M. Demorest, S.J. Morrison, & P.S. Campbell (Eds.), iProceedings of the 11th International Conference on Music Perception and Cognition/i (pp. 77–80). University of Washinton, Seattle, USA.
  • Milne, A.J. (2010, August 27). iSpectral pitch distance & microtonal melodies. Poster presented at the 11th International Conference on Music Perception and Cognition, Seattle, Washington, USA.
  • Collins, T., Thurlow, J., Laney, R., Willis, A., & Garthwaite, P. (2010). a href="http://oro.open.ac.uk/21837/" target="_blank"A comparative evaluation of algorithms for discovering translational patterns in Baroque keyboard works/a. iProceedings of the International Symposium on Music Information Retrieval/i, 3-8.
  • Laney, R., Dobbyn, C., Xambó, A., Schirosa, M., Miell, D., Littleton, K., & Dalton, S. (2010). a href="http://oro.open.ac.uk/21940/1/smc2010.pdf"Issues and techniques for collaborative music making on multi-touch surfaces/a. In iProc. Sound and Music Computing 2010/i. 23-25 July 2010, Barcelona, Spain.
  • Johnson, R.M.G. (2010). MusicJacket: Real-time Multimodal Feedback for Learning the Violin. iProc. Pervasive 2010 Doctoral Colloquium, 17-20 May 2010.
  • Johnson, R.M.G., van der Linden, J., & Rogers, Y. (2010) MusicJacket: the efficacy of real-time vibrotactile feedback for learning to play the violin. iProc. CHI 2010 Work in Progress/i 3475-3480. 10-15 April 2010, Atlanta.
  • Johnson, R.M.G., Rogers, Y., & van der Linden, J. (2010). To Buzz or not to Buzz: Improving awareness of posture through vibrotactile feedback. iCHI Whole Body Interaction Workshop/i. 10-11 April 2010, Atlanta.
  • Holland, S., Bouwer, A., Dalgleish, M., & Hurtig, T. (2010). Feeling the Beat where it counts: Fostering Multi-limb Rhythm Skills with the Haptic Drum Kit. In iProceedings of TEI 2010/i Pages 21-28. ACM New York NY USA. ISBN: 978-1-60558-841-4. DOI 10.1145/1709886.1709892. Oro ID 18900. ?file src="HapticDrumKitTEI2010.pdf"?
  • Holland, S. (2010). Asymmetrical Multi-User Co-operative Whole Body Interaction in Abstract Domains. Paper presented at iWorkshop on Whole Body Interaction, CHI 2010/i, Atlanta. ?file src="Holland Asymmetrical WholeBody CHI2010.pdf"?
  • Collins, T., Laney, R., Willis, A., & Garthwaite, P. (2010).Available from Oro" Using discovered, polyphonic patterns to filter computer-generated music. In Proceedings of the International Conference on Computational Creativity 1–10.
  • Laney, R., Dobbyn, C., Schirosa, M., Miell, D., and Littleton, K. (2010) Constructing Musical Identities During Collaborative Music Making On a Shared Touchable Table. iIdentity and Social Interaction. RNCM, Manchester, 2010.

2009

  • Milne, A.J. (2009). ia href="http://urn.fi/URN:NBN:fi:jyu-200908173596"A psychoacoustic model of harmonic cadences/a/i. Master's Thesis, University of Jyväskylä, Department of Music (supervised by Petri Toiviainen).
  • Milne, A.J. (2009). a href="http://urn.fi/URN:NBN:fi:jyu-2009411284"A psychoacoustic model of harmonic cadences: A preliminary report/a. In J. Louhivuori, T. Eerola, S. Saarikallio, T. Himberg, & P.-S. Eerola (Ed.), iProceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009) Jyväskylä, Finland (pp. 328–337).
  • Sethares, W.A., Milne, A.J., Tiedje, S., Prechtl, A., & Plamondon, J. (2009).Spectral tools for Dynamic Tonality and audio morphing. Computer Music Journal, 33(2), 71–84.
  • Van der Linden, J., Schoonderwaldt, E., Bird J. (2009). Good vibrations: Guiding Body Movements with Vibrotactile Feedback, in: Physicality 2009 – Towards a less-Gui interface. In iProceedings of the Third International Workshop on Physicality/i, Cambridge UK.
  • Van der Linden J., Schoonderwaldt, E., Bird J. (2009). Towards a Real-Time system for teaching Novices Correct Violin Bowing Technique. In iProceedings of the IEEE International Workshop on Haptic Audio-Visual Environments and Games/i, HAVE 2009, Italy (pp. 81–86).
  • Wilkie, K., Holland, S. and Mulholland, P. (2009). Evaluating Musical Software Using Conceptual Metaphors. In A. Blackwell (Ed.) iProceedings of BCS Human Computer Interaction/i (pp. 232-237). EWIC, ISSN 1477-9358. ?file src="BCS HCI 2009 Wilkie Evaluating musical software.pdf"?
  • van der Linden, J., Schoonderwaldt, E., & Bird, J. (2009). Good vibrations: Guiding body movements with vibrotactile feedback. In iProceedings of the Third International Workshop on Physicality/i, Cambridge, UK.
  • Holland, S., Marshall, P., Bird, J., Dalton, S.N., Morris, R., Pantidi, N., Rogers, Y. & Clark, A. (2009). Running up Blueberry Hill: Prototyping Whole Body Interaction in Harmony Space. TEI 2009. iProceedings of the Third Conference on Tangible and Embodied Interaction/i. ISBN 978-1-60558-493-5 pp 92-98. ACM New York. ?file src="BlueberryHillWholeBodyInteraction.pdf"?

2008

  • Seago, A. Holland, S., & Mulholland, P. (2008).Timbre space as synthesis space: towards a navigation based approach to timbre specification. In Proceedings of the Institute of Acoustics Conference, 2008, Vol 30 Pt 2. 8pp.
  • Milne, A.J., & Prechtl, A. (2008).New tonalities with the Thummer and The Viking. In A. Crossnan, & T. Kaaresoja (Ed.), Proceedings of the 3rd International Haptic and Auditory Interaction Design Workshop, Volume 2, (pp. 20–22). Jyväskylä, Finland.
  • Milne, A.J., Sethares, W.A., & Plamondon, J. (2008).Tuning continua and keyboard layouts. Journal of Mathematics and Music, 2 (1), 1–19.
  • Bird, J., Holland, S., Marshall, P., Rogers, Y. and Clark, A. (2008) Feel the Force: Using Tactile Technologies to Investigate the Extended Mind. In iProceedings of Devices that Alter Perception Workshop (DAP 08)/i, pp. 1-4 as part of Ubicomp 2008, Seoul, Korea (winner of best paper award).pdf here.

2007

2006

  • Hill, P., Holland, S., & Laney, R. (2006). Symmetric composition of musical concerns. In iProceedings of the 5th international Conference on Aspect-Oriented Software Development. ACM Press, New York, NY, pp 226-236.
  • Milne, A. J., Sethares, W. A., & Plamondon, J. (2006). iX_System>http://oro.open.ac.uk/21510/1/X_System.pdf. Report commissioned by Thumtronics Inc.

2005

  • Seago, A., Holland, S., & Mulholland, P. (2005). Towards a Mapping of Timbral Space. iProceedings of Conference on Interdisciplinary Musicology (CIMo05)/i, Observatoire International de la Création Musicale, Montreal, and Music Faculty of University of Montreal. ?file src="TimbralSpaceSeagoCIM05.pdf"?
  • Holland S. (2005) A First Empirical Study of Direct Combination in a Ubiquitous Environment in People and Computers - iProceedings of Human Computer Interaction 2004, vol. XVIII/i, Springer Verlag, pp 229–247.

2004

  • Hill, P., Holland, S., & Laney, R. (2004). Applying aspect-oriented programming to music computing. In: Agon, Carlos and Assayag, Gerard, (eds). iSMC04 Conference Proceedings: First Sound and Music Computing Conference/i. Services Des Publications, IRCAM, Paris, pp. 169-165.SMC04 Proceedings>http://recherche.ircam.fr/equipes/repmus/SMC04/
  • Holland, S. (2004) Reflective Composition: the declarative composition of roles to unify objects, roles, & aspects, In Proceedings of 19th Annual ACM Conference on Object-Oriented Programming, Systems, Languages, and Applications, Proceedings OOPSLA, Vol II, p. 224–225, ACM ISBN 1-58113-833-4.
  • Seago, A., Holland, S., & Mulholland, P. (2004). A Critical Analysis of Synthesizer User Interfaces for Timbre, People and Computers - XVIII Proceedings of Human Computer Interaction 2004 Sep 2004, Springer Verlag, London.pp 105–106.
  • Holland, S., Day, R., Leplâtre, G., Edwards, A.D.N., (2004) Mobile HCI and Sound. Mobile HCI 2004:pp 527–528. In Stephen A. Brewster, Mark D. Dunlop (Eds.): Proceedings of 6th International Symposium on Mobile Human-Computer Interaction - Mobile HCI 2004, Lecture Notes in Computer Science, 3160, Springer 2004, ISBN 3-540-23086-6.
  • Hill, P., Holland, S., & Laney, R. (2004) Using Dynamic Aspects in Music Composition Systems. In Proceedings of the 2004 Dynamic Aspects Workshop (DAW04). Eds. Robert E. Filman, Michael Haupt, Katharina Mehner and Mira Mezini. NASA Ames Research Center, California TR04.01 Pages 89-97.