PAPERS

Accepted Workshop Papers

We receommend that all workshop participants familiarise themselves with these papers prior to the workshop in May

[download all pdfs as zip]

Free-Improvised Rehearsal-as-Research for Musical HCI
Charles Martin and Henry Gardner
[pdf]

LiveMAP Design Cards for Technology-Mediated Audience Participation in Live Music
Oliver Hödl, Fares Kayali, Geraldine Fitzpatrick and Simon Holland
[pdf]

Using Game Mechanics to Facilitate Networked Musical Collaboration
Cem Cakmak, Anil Camci and Angus Graeme Forbes
[pdf]

Three Facets for the Evaluation of Musical Instruments from the Perspective of the Musician
Gian-Marco Schmid
[pdf]

Material-Oriented Musical Interaction
Tom Mudd, Simon Holland and Paul Mulholland
[pdf]

Digital Musical Instruments for Participatory Music: Designing Internal Experience
Courtney Brown and Garth Paine
[pdf]

Crossroads: Interactive Music Systems Transforming Performance, Production and Listening
Mathieu Barthet, Florian Thalmann, György Fazekas, Mark Sandler and Geraint Wiggins
[pdf]

Human Computer Interaction meets Computer Music
Marcelo Wanderley, Stéphane Huot, Joseph Malloch, Jérémie Garcia, Wendy Mackay and Michel Beaudouin-Lafon.
[pdf]

Expressive Music Interaction: tools, prototypes and hackathons
Jordi Janer, Frédéric Bevilacqua, Sebastián Mealla, Frederic Font, Sergi Jordà, Emmanuel Fletty, Gaël Dubus and Norbert Schnell
[pdf]

Understanding virtuosi as expert users and celebrating variation as expressive difference in embodied interaction
Atau Tanaka
[pdf]

Broader Perspectives in the Understanding of Musical Expression
Jeff Gregorio, Matthew Prockup, Brandon Morton and Youngmoo Kim
[pdf]

Position Paper: Measuring Users' Cognitive and Affective State to Develop Intelligent Musical Interfaces
Beste F. Yuksel, Kurt B. Oleson, Remco Chang and Robert J.K. Jacob
[pdf]

Dynamic Physical Modeling for Designing Music Interactions
Edgar Berdahl
[pdf]

Mediated Musical Interactions in Virtual Environments
Rob Hamilton
[pdf]

HCI, Music and Audiences: Enabling New Performance Contexts by Understanding Experience
Sam Ferguson and Oliver Bown
[pdf]

Thoughts on Virtual Reality Design for Musical Expression
Ge Wang
[pdf]